As we prepared the Sol Cinema, ARRI cameras were unloaded and 650W lighting rigs were set up all around us. A 15 metre, bright red carpet was unrolled, and gold roped stands were sited in front of the doors of the Odeon, itself draped in plush red velvet. Masked up film crews busied themselves setting up a black tent around the Sol Cinema so they could film interviews with the band inside through our open window.
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